The Australian artist Elisabeth Cummings (born 1934), it is said, almost exclusively paints what she sees; landscape, still life and very occasionally portrait. But one must admit she has a very peculiar & unique vision, a very-very original way of seeing. Cummings’ paintings are intimate, emotive and require the viewer to take time to interrogate…
A vocabulary of lines – part one
I love working with colour, the playfulness of it, how quick it changes, the feelings it evokes …I could continue experimenting with it for weeks & weeks, but feel I need to take a break from all this playfulness to have a closer look at my vocabulary of lines. Or more precisely: work on a…
profound distraction
“All profound distraction opens certain doors. You have to allow yourself to be distracted when you are unable to concentrate.” — Julio Cortazar BODEN, WAND, ECKE, RAUM (1970) – Centre Pompidou, MNAM-CCI (diffusion RMN) © Klaus Rinke
On line
Ian McKeever on drawing: Ian McKeever was born in Withernsea, Yorkshire in 1946 and lives and works in Hartgrove, England. He has studied English Literature and began working as an artist in 1968.
Chuta Kimura
The discovery of a new painter is like the discovery of a new world “I would like someday to make a pilgrimage to Clos-Saint-Pierre, but only because the marvellous drawings of it by the Japanese painter Chuta Kimura so enchant my vision that I cannot take my eyes of them when I see them.” —…
«Skating to Antarctica»
Last year I visited Svalbard, Spitsbergen – so I have had a glimps of the Arctic. It was unbelievably beautiful – unimaginable, actually. The Antarctica on the other hand: for me: pure fiction … … and so still a great place for my imagination to roam free in. I’ve started a new series, it looks…
Small shifts
As I am nearing the end of my #100dayproject things are starting to shift. Up until now my project has been restricted by firm rules: one print a day, every print made by printing local flora on the pages of a given book. But now, with only 15 more days to go, stringency is faltering – as if…
visual nature writing
I am currently working on a series of small landscapes, using my local surroundings as “starting-off-point“ – but trying to move in the direction of more abstraction. Starting with collage of hand-painted papers (limited palette) Working across with more painterly marks. At the moment these small panels (30×30 cm) are all in the very beginning,…
One day at a time
It’s growing slowly – but still I’m actually halfway there …! I have finished the first fifty days of my 100 day project. These are a few of my prints from the last ten days: For day 41 to 50 I used Vinca minor (lesser periwinkle – dwarf periwinkle – creeping myrtle) as my object. Being evergreen it…
Broken English is My Mother Tongue
From The Sydney Review of Books
