Landmarks

Katharine Harmon – YOU ARE HERE: Maps intrigue us, perhaps none more than those that ignore mapping conventions. the Bedolina Map The Rock 1 of Bedolina, the so-called Bedolina Map, is a famous engraved prehistoric rock which is part of the Camonica valley (Alps, Italian side, Lombardy region) petroglyph complex. It is known as being … More Landmarks

Ocean-chart

  He had brought a large map representing the sea, Without the least vestige of land: And the crew were much pleased when they found it to be A map they could all understand. … A perfect and absolute blank!   Lewis Carroll The Hunting of the Snark (1876)  

From Evan Lavender-Smith’s Old Notebooks

(could also be read as writing prompts) ~ Memoir beginning with detailed narrative description of subject’s rich and fertile childhood slowly disintegrates into list of difficult books he read as an adult. ~ Academic essay, after Moretti, quantifying the extent to which Jackson Pollock’s paintings influenced late-20th-century hairstyles. ~ Story about a mother who develops … More From Evan Lavender-Smith’s Old Notebooks

Notes on Melancholy, part 2

  from A Field Guide to Melancholy  … melancholy & genius: Aristotle: ‘Why is it that all those who have become eminent in philosophy or politics or poetry or the arts are clearly melancholics, and some of them to the extent as to be affected by diseases caused by black bile?’ Moyra Davey

Ars Poetica XIII

The space between two languages is a space like no other. — Anne Carson . Writing anything at all is a work of translation exactly comparable to that of transmuting a text from one language into another. — Paul Valéry .  

Ars Poetica XI: A work of art is always part person

from: MY LOUISE BOURGEOIS SIRI HUSTVEDT ON THE COMPLEX, BRILLIANT, CONTRADICTORY ARTIST … we do not treat artworks the way we treat forks or chairs.[…] because it carries the traces of a living consciousness and unconsciousness, and it is invested with that being’s vitality. A work of art is always part person. Therefore the experience … More Ars Poetica XI: A work of art is always part person

Winter Grace

If you have seen the snow (…) slowly falling into the brook to be swallowed by water, then you have seen beauty Peter Brook: Misty Morning, 1975 .. If you have seen the snow under the lamppost piled up like a white beaver hat on the picnic table or somewhere slowly falling into the brook to … More Winter Grace

Maelstrom

I ended my last post by claiming that the nothingness of anxiety echoes the nothingness at the center of Beckett’s writing – but (how) can nothing function as a source, as the origin of creative production? Beckett offers two different ‘nothings’ as interpretative keys to his writing: If I were in the unenviable position of having to study … More Maelstrom