Finally some good news:

I’d like to think I can represent all those artists who heroically have kept going and are successful, but are not recognised or acclaimed. —Phyllida Barlow Can it be true, as some say: Old women are replacing young men in the art world  We can at least hope! After having been overlooked for decades, the…

Scrappy

… but also enormously encouraging, liberating & emancipating! Just a few weeks ago the British Council announced that Phyllida Barlow (1944), was to represent Britain at 2017 Venice Biennale. Being chosen for Venice was a particular surprise, the 72 year old Barlow told the Guardian in an interview: “It is really exciting and extraordinary to be asked…

entering

As already mentioned, I’m writing a piece on art and motherhood, it’s planned to go into a series of essays, together with a (maybe several) texts on all kinds of aspects connected to the concept of home. Motherhood and home are very connected concepts in my experience of life (maybe they are the same?). (ok,…

archive fever

I’m trying to figure out why I’m so taken aback by Dayanita Singh’s book FILE ROOM (Steidl, 2013), a photo-book of archives and their custodians across India. The obvious reason is of course the unexpected beauty of her project, the wonderful compositions, the secretive content, the elegant layout – But there is definitively more to be said: because…

What’s your story?

  … It’s all in the telling. Stories are compasses and architecture; we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice. To love someone…