A note on annotations

Pierre Bonnard, I just learned, did not paint in front of his motifs. Instead, he filtered the image, finding a way to make annotations (notes, sketches) that were a trigger for recollections that he wanted to capture on canvas in the studio. His paintings were, in other words, salvages and translations of primary sensations –…

“On Vision and Contemplation”

An Excerpt from “MEMORIES OF STAROBIELSK ESSAYS BETWEEN ART AND HISTORY” by Józef Czapski, translated from the Polish by Alissa Valles, introduction by Irena Grudzińska Gross “We paint only one percent of contemplation.” —CYPRIAN NORWID What is vision? A certain synthetic, singular way of looking at the surrounding world. A moment of such vision always…