Sea-change

How to write about nature in a way that makes the reader feel the landscape as if she was there; wandering through it … absorbed, possessed – ? Here is Jean Sprackland: Countless times I’ve seen the shore hewn and hammered, scattered with whole tree trunks, steel pipes, oil drums, concrete fence posts, dead sheep.… More Sea-change

Ugly???

What is ugly? Who is ugly? Is ugliness at all a word, a description, a kind of characterization one can use? Copyright© Iiu Susiraja I am working on a short text about the Finnish artist Iiu Susiraja. Susiraja is a photographer using her own body as subject and motif. What is most striking about Susiraja’s appearance, is… More Ugly???

A Common Reader

I am taking Virginia Woolf’s Common Reader as a model for my new writing project. I am studying her way of writing, her method. You all know she is unattainable, belonging to a different sphere, so she will be more like my leading star. Nevertheless,  I will try very hard to make my texts readable for the… More A Common Reader

playing with style

Genre is a slippery thing – is there a set borderline between fiction and nonfiction? While nonfiction is often defined by fidelity to fact and logical cohesion, the genre has a companion history of texts that use the fragmentary, suggestive, and inconclusive. There are essays that destabilize unwavering narration, logical progression, and rhetorical coherence. Creative nonfiction is an elastic… More playing with style

Sliver of Sky

By now, most of my regular readers will know that I’m a great fan of Barry Lopez. His nature-writing is unparalleled. But he is also a master of language in the more personal matters, as when he writes about his own childhood. (The most thin-skinned might choose not to read the following):   Sliver of Sky Confronting… More Sliver of Sky

We have too much stuff already. It clutters our view, inward and outward.

I’m reading Lisa Carver’s Reaching Out with No Hands. Reconsidering Yoko Ono. It’s a very amusing and well written book. Carver has a strong personal tone – her text is filled with respect for Ono’s work. Here is why, according to Carver, Ono is such an important artist: Yoko Ono is not pretty, she is… More We have too much stuff already. It clutters our view, inward and outward.