INDELICACY

This is how Amina Cain’s novel Indelicacy begins: I THOUGHT THAT BEING in the country would help me write, with its fields and its horses, but I don’t think I was meant for that. For the country, or for help.—Amina Cain Sometimes a short paragraph is enough. Something unique is unfolding, words – this common…

«One Hundred Poets»

The starting point of the German artist Jürgen Partenheimer’s series of work called «One Hundred Poets» is, as the title (almost) tell us … poetry. «One Hundred Poets» is inspired by the body of work of the same title by Katsushika Hokusai and refers to 100 poems selected by Jürgen Partenheimer from his 100 favorite…

Double vision

I have posted these poems before, but being a lover of ekphrastic poetry, I feel it will do you all good to read them again … Musée Des Beaux Arts By W.H. Auden About suffering they were never wrong, The Old Masters: how well they understood Its human position; how it takes place While someone else…

The Odyssey of a Painter

Not necessarily because he is a favourite painter of mine, but because his meditations on making art is just wonderful And obviously; he also is a great painter The Bench Painting series (1989–2009), was originally conceived as an homage to the Italian Renaissance philosopher Giordano Bruno. Burnt at the stake for heresy in Rome in 1600, Bruno…

Ekphrastic poetry

For those of us working in all kinds of genres: Moonrise, Aurora, Nebraska by Twyla Hansen No Ansel Adams but the snapshots we captured through the open car window on our eight megapixel cell phones on the side of the road off an exit ramp as truck taillights streaked eastbound opposite the earth’s rotation in…

Art on art

When your head gets filled with too much theory – try art: A SHORT TALK ON THE END What is the difference between light and lighting? There is an etching called The Three Crosses by Rembrandt. It is a picture of the earth and the sky and Calvary. A moment rains down on them. The…

Art instigate art

Lately Edward Hirsch has been influencing my way of thinking about art. Hirsch says things like “the purpose of poetry is not first and foremost to inspire the writer, but to inspire the reader”, and “there is not enough talk about emotions in contemporary criticism”. He is preoccupied by – and gives great importance to – the reader’s experience….

A world recombined and reordered

Ekphrasis: poetic writing on art Criticism isn’t a form of poetic writing, but the form I plan to use for my text on Agnes Martin, the essay, might be. On can write a lyrical essay. It will be difficult, but I believe it is possible if one let’s the art one writes about seep into…

in Bergen

– spending my morning mulling over: Musée des Beaux Arts by W.H. Auden About suffering they were never wrong, The Old Masters: how well they understood Its human position; how it takes place While someone else is eating or opening a window or just walking dully along; How, when the aged are reverently, passionately waiting…

a grounded instance of seeing

I’ve just read this very interesting text on ekphrasis by Alfred Corn, the text can be found at poets.org; here are some passages on contemporary poetry Notes on Ekphrasis Perhaps the most effective contemporary poems dealing with visual art are those where the authors include themselves in the poem, recounting the background circumstances that led to…