The mellifluous, impenetrable language of theory is often thought of as a sign of sophistication. But it can just as well serve as a way of covering over underlying inconsistency or lack of substance. It all depends on how it is being used … And I must admit, I’m not very happy with the way … More Sophistication?!
spreading the word – I just want to direct your attention for a minute or two to a wonderful ongoing project by Ann Hamilton: on cloth Cloth is the body’s first architecture; it protects, conceals and reveals; it carries a body’s weight, swaddles at birth, covers in sleep and in death. A patterned cloth symbolizes … More cloth · a commonplace
I wrote a short note on Richard Mosse some time ago. The Enclave, as presented at Foam in Amsterdam, is the most remarkable exhibition I have seen in a very long time. Richard Mosse is showing his work all over the world, and if he turns up in a place near you – you should not miss … More Beauty is the sharpest tool in the box
I have never seen any of Truitt’s sculptures other than in photograps, she came to me through her writing. A mature woman’s literary reflections on motherhood and art, such a rare story to be told, was what initially got me interested. I find her work, seen from a very long distance, really beautiful, but believe the greatness … More anything but reductive
From Virginia Woolf’s beautiful garden studio in Sussex I’m home after a week in London. I have already written a critique of Bill Viola in St Paul’s and of Marina Abramovic in Serpentine (non of the texts is hitherto published, so my judgement has to stay a secret). But the most difficult task for me, as a … More Writing is easy:
Artists hate the word beauty, especially German artists. If you wanted to be really hated in Germany, then you would say, “My work is beautiful.” German artists believe in ugliness and nastiness. I think beauty can be something extremely important in our lives. And it’s not true that this is naive. This is what is … More “My work is beautiful”
Tag Um Tag Ist Guter Tag Apropos art & everyday life: Since 1974, the German artist Peter Dreher has painted nearly 5,000 versions of the same picture: a realistic, life-size image of a plain, cylindrical water glass centrally placed on a blank surface against a white wall. Peter Dreher “Nr. 44 (Day),” from 1982, in … More DAY BY DAY, GOOD DAY
Yoko Ono I have a complicated relationship with conceptual & post-conceptual art. Just trying to define the field – CONCEPTUAL ART – is to most of us … well; nearly impossible. Conceptual art is based on the notion that the essence of art is an idea, or concept, and may exist distinct from and in the absence of … More from art – with love
Continuing yesterday’s post – here is Alain De Botton, arguing for an instrumental use of art: The idea that one might use art for a purpose, for “instrumental” reasons, tends to set off alarm bells. Art is not an instrument, comes the almost automatic reply. It shouldn’t be thought of as some kind of tool. It’s … More if art is to matter …
What is art for? It’s a difficult question, a question we tend to ignore in the sphere of contemporary art and theory. We, the establishment, find it rather naïve to ask such a blunt question. We are sometimes very unsure of ourselves as artist (why am I doing this? Am I good enough?? etc.), but … More … art as therapy?!