A note on annotations

Pierre Bonnard, I just learned, did not paint in front of his motifs. Instead, he filtered the image, finding a way to make annotations (notes, sketches) that were a trigger for recollections that he wanted to capture on canvas in the studio. His paintings were, in other words, salvages and translations of primary sensations –…

Some days are all about colour

“I’m not telling you to make the world better, because I don’t think that progress is necessarily part of the package. I’m just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To…

When color is entirely to the point … is the point!

According to the American artist Gary Komarin (1951), the best paintings “paint themselves.” He says: You have to get lost in the painting for a time. You cannot simply stand outside like a quiet observer. I believe he is right, and as a maker, the best part of the creative process is definitively those moments…