Allow the self to be distracted — (Ars Poetica XVI)

—  wasting time is the most personal, most private, most intimate form of conversation with oneself, as well as with another. Madness, Rack, and Honey: Collected Lectures by Mary Ruefle *   Susan Hiller: Dream Mapping (1973/74)  Dream Mapping, 1973 was an art event provocatively poised between an experiment (social or scientific) and a performance without an … More Allow the self to be distracted — (Ars Poetica XVI)

Notes on Melancholy, part 4

In my first note on melancholy I quoted the following question raised by Jacky Bowring, she asked: How can things that are sorrowful be beautiful? Louise Glück’s First Snow is not a theoretical answer, but a wonderful demonstration of something deeply sorrowful becoming almost unbearably beautiful – First Snow  by Louise Glück  Like a child, the earth’s going to … More Notes on Melancholy, part 4

A note on compulsive performativity – and how to care (for) more

Thoughts excerpted from Jan Verwoert’s text: I CAN, I CAN’T, WHO CARES (2008) Some have said that we have come to inhabit the post-industrial condition. But what could that mean? After the disappearance of factory work from the lives of most people in the Western world, we have entered into a culture where we do no … More A note on compulsive performativity – and how to care (for) more

Ars Poetica XI: A work of art is always part person

from: MY LOUISE BOURGEOIS SIRI HUSTVEDT ON THE COMPLEX, BRILLIANT, CONTRADICTORY ARTIST … we do not treat artworks the way we treat forks or chairs.[…] because it carries the traces of a living consciousness and unconsciousness, and it is invested with that being’s vitality. A work of art is always part person. Therefore the experience … More Ars Poetica XI: A work of art is always part person