C. D. Wright’s: The Poet, The Lion, Talking Pictures, El Farolito, A Wedding in St. Roch, The Big Box Store, The Warp in the Mirror, Spring, Midnights, Fire & All, is a collection of fragments. It is also a book on writing and reading, a book on how reading informs writing, and on the relationship between… More Are you possessed by topophilia?
I went to London to see art. You all know my involvement with Agnes Martin. But I actually planned my visit so that it coincided with the grand opening of Ai Weiwei’s exhibition at The Royal Academy of Arts. From the exhibition at RA: Straight, (2008-12), steel reinforcing bars In the background: Names of the Student… More Art is not an end, art is only the beginning
In two days I will finally get to see Agnes Martin at Tate Modern in London. It is a show I have been looking forward to see all summer. You will, no doubt, get a report – here is just a little teaser … Agnes Martin: Untitled (Study for “The Egg”) 1960. Ink on paper © Estate of… More On a Clear Day
Agnes Martin reflects on her work
The way of an artist is an entirely different way. It is a way of surrender. He must surrender to his own mind — Agnes Martin As many artists, Agnes Martin underlined the necessity of having a strict schedule, she went to her studio at least three hours every morning, whether she felt like it or not, where… More How creativity works
How does one write beyond words? AGNES MARTIN: Untitled from the “On a Clear Day” portfolio (1973). Screenprint on Japanese rag paper. My interest is in experience that is wordless and silent, and in the fact that this experience can be expressed for me in art work which is also wordless and silent. – Agnes Martin Agnes… More A beautiful mind
In the early 1960s, Agnes Martin’s geometric compositions evolved into what would later be seen as her signature style: the square grid. Referring to these paintings, the critic Lucy Lippard described them as ‘legendary examples of an unrepetitive use of a repetitive medium’. More and more I excluded from my paintings all curved lines, until finally my… More Theory has nothing to do with it –
history lesson Agnes Martin’s notes for “On the Perfection Underlying Life” lecture originally given at the ICA on February 14, 1973 on the occasion of the exhibition, “Agnes Martin” Some say she is rather esoteric in her writing, but I’m not sure I agree – just go with the flow and see what happens. In line… More There is no halfway with art
“the painting is a key to the art within you“ Agnes Martin, Untitled (1979), pencil and ink on paper, 105 x 105 in.
I would like my work to be recognized as being in the classical tradition (Coptic, Egyptian, Greek, Chinese), as representing the Ideal in the mind. Classical art cannot possibly be eclectic. One must see the ideal in one’s own mind. It is like a memory – an awareness of perfection. —Agnes Martin