Second draft, many more to go – everything is still open to change, except for the title … apparently?! š
Hiroyuki Hamada
I love colour — – all the same, it happens I find the world even more beautiful in black & white … … Hiroyuki Hamada (b. 1968, Tokyo) Hamada lives and works in East Hampton, New York.
The Daily Need of the Soul
āYou must have a room, or a certain hour or so a day, where you donāt know what was in the newspapers that morning, you donāt know who your friends are, you donāt know what you owe anybody, you donāt know what anybody owes to you. This is a place where you can simply experience…
Marks, motifs, symbols …
Iām collecting marks in my sketchbook. Marks, or motifs, as I (via Fiona Godfrey) have come to think of them. Making, collecting, contemplating – . Some feels like mine, others have to go ā even if I love the look of them. Iām not satisfied with using my eyes only. The motifs have to connect…
On mastery versus meaning
I have been reading quite a lot of Jungian psychology and philosophy over the past few years. Here are some notes from Jason E. Smithās new book: Religious but not Religious. Living a Symbolic Life (2020) On mastery versus meaning Meaning is a psychological state that can affirm life. Mastery, by contrast, is not affirmation,…
A lexicon of shapes, lines, marks and symbols
A short report from an ongoing study: Marina Strocchi – A Survey 1992-2014 from Marina Strocchi on Vimeo. I think the art of the Australian painter Marina Strocchi makes a wonderful addition to my library of artists making great marks. Marina Strocchiās works incorporate the dynamic āRoarā collective aesthetic, indigenous landscape influences and rural Australian…
What could possibly go wrong …?
Bad dreams, or maybe just the world as such … seeping into my art?
From nothing
… to something? Making tiny artist books – playing with personal motifs This is the question I’m asking myself: How can I develop and extend the range of marks, shapes, symbols and patterns that are mine – or even: which are my motifs? what is making my art mine? Part of having a āstyleā as…
When color is entirely to the point ā¦ is the point!
According to the American artist Gary Komarin (1951), the best paintings āpaint themselves.ā He says: You have to get lost in the painting for a time. You cannot simply stand outside like a quiet observer. I believe he is right, and as a maker, the best part of the creative process is definitively those moments…
