The studio

Despite (or maybe because of) everything happening in the big world, my small world has felt like a sanctuary this month – I’m currently working on a series of paintings on board and paper with the working title: “Spring Cannot be Cancelled”, a series of partly abstracted still life paintings of plants & flowers from…

Things to Think

Things to Think Think in ways you’ve never thought beforeIf the phone rings, think of it as carrying a messageLarger than anything you’ve ever heard,Vaster than a hundred lines of Yeats. Think that someone may bring a bear to your door,Maybe wounded and deranged: or think that a mooseHas risen out of the lake, and…

A letter for Moran

«There is nothing more to tell. The house was empty. The company had cut off the light. They have offered to let me have it back. But I told them they could keep it.» —Samuel Beckett: Molloy

From representational drawing to invented worlds

My recent shift from drawing to painting has not only led to a shift in form, but also, as it turns out, a shift in content. When painting, my focus is no longer on the observed outer world, as it is when I am doing urban sketching, croquis or floral studies. When painting my focus…

A story about immersion and subtraction

or: What I gleaned from spending 5 wonderful days painting under the supervision of Liz Hough at St. Ives School of Painting, a visual report: Becoming nature — The first step has to do with immersing oneself into what is already there; walk around, sit down, feel the wind, notice the short glimpses of bright…

Darkness at Noon

Noon Hour BY PEGGY TROJAN Unless hot lunch at schoolwas serving something speciallike corn chowderand baking powder biscuitsor creamed chipped beefpotatoes and browniesI went hometo what mymother madelike most town kids Jack walked the furthestalmost to the riverto his unpainted houseby the railroad tracksWe all knew nobody was therehis mom at the tavern alreadyHe always…

Passing Through

A short story of excellence, dedication and perseverance & of the joy and importance of meaning-making: Ted Kooser (1939) was the 13th Poet Laureate of the United States and received the Pulitzer Prize for poetry in 2005.

Bernd & Hilla and Me

as mentioned –The New Objectivity’s focus on the objective world resonated with later photographers like Bernd and Hilla Becher, who became influential artists and teachers highly regarded for their typological studies of various architectural structures. Bernd and Hilla Becher, Coal Bunker, GB 1973 And this Sachlichkeit do also, I must confess, resonate with me — here…