The Leper Squint Paintings

There are these paintings by the British artist Michael Simpson – The Leper Squint Paintings – which I find exceptionally interesting. The Leper Squint paintings is a series of works picturing simple ladders raised to small black rectangles high up on walls. The rectangles are illustrating holes in the walls, squints that were once built into medieval church walls so that … More The Leper Squint Paintings

Transcending the limits of the picture

Pink Canvas for Wearing (1969) is the first photograph in Helena Almeida’s (b. in Lisbon 1934) career, after working for more than a decade as a painter since graduating from the Faculty of Fine Arts of Lisbon in 1955. Through this playful work, Almeida seems to discover the possibility of functioning as a painting through the medium … More Transcending the limits of the picture

Helena Almeida

How come I don’t know anything about the Portuguese artist Helena Almeida?! I must hasten to add: Helena Almeida is highly regarded – by those who know her, but if you try to do any research on her work you’ll find your sources to be … sparse (to put it mildly). There is, I believe, two … More Helena Almeida

Ars Poetica XI: A work of art is always part person

from: MY LOUISE BOURGEOIS SIRI HUSTVEDT ON THE COMPLEX, BRILLIANT, CONTRADICTORY ARTIST … we do not treat artworks the way we treat forks or chairs.[…] because it carries the traces of a living consciousness and unconsciousness, and it is invested with that being’s vitality. A work of art is always part person. Therefore the experience … More Ars Poetica XI: A work of art is always part person