Lectures on poetry & writing by Richard Hugo (cont.) Don’t write with a pen. Ink tends to give the impression the words shouldn’t be changed. Write with what gives you the most sensual satisfaction. Write in a hard-covered notebook with green lined pages. Green is easy on the eyes. Blank white pages seems to challenge you … More Nuts and Bolts
Lectures on poetry & writing by Richard Hugo (cont.) Assumptions lie behind the work of all writers. Words love the ridicules areas of our minds. It is important that a poet not question her assumptions, at least not in the middle of composition. Finish the poem first, then worry, if you have to, about being right … More Finish the poem first, then worry, if you have to, about being right or sane
Lectures on poetry & writing by Richard Hugo (cont.) If you are a private poet, then your vocabulary is limited by your obsessions. You are after those words you can own and ways of putting in phrases and lines that are yours by right of obsessive musical deed. Your triggering subjects are those that ignite … More Chasing a way to write
Lectures on poetry & writing by Richard Hugo (cont.) I caution against communication because once language exist only to convey information, it is dying. In news articles the relation of the words to the subject is a strong one. The relation of the words to the writer is weak. (Since the majority of your reading … More The Triggering Town
