A note to Harold:

Harold asks: Do you read that as Beckett saying that he is writing not from “nothingness” in an existential sense but from “a place without intellect or the observation that could declare something to be ‘nothing’ or ‘something’”? That latter seems likely. I’m not sure if I quite understand your question (and this uncertainty of … More A note to Harold:

Maelstrom

I ended my last post by claiming that the nothingness of anxiety echoes the nothingness at the center of Beckett’s writing – but (how) can nothing function as a source, as the origin of creative production? Beckett offers two different ‘nothings’ as interpretative keys to his writing: If I were in the unenviable position of having to study … More Maelstrom

Better to be afraid of something than of nothing …

Further musings on Edmund de Waal’s exhibition During the Night at Kunsthistorisches Museum, Vienna Edmund de Waal,  Albrecht Dürer, Samuel Beckett & the concept of Angst A man (Albrecht Dürer) awakes from a nightmare in the depths of the night. He writes down his fears and illustrates them with a painting. 500 years later, another man (Edmund de Waal) is inspired … More Better to be afraid of something than of nothing …

15 stones too many!

In my ongoing quest for blue I’ve today reached William Gass’ On Being Blue. A Philosophical Inquiry (1975). To my surprise, Gass starts off by quoting a text passage which I believe to be among the best pieces of literature ever written – The sucking-stones sequence, here is Molloy: I took advantage of being at the … More 15 stones too many!

(creative?!???) MESS, or: a state of confusion and disorderliness

I’ve started working on a short essay on Maggie Nelson’s Bluets. the book keeps popping up in my imagination, so I’ve decided to try to write myself through my fascination. As for now I haven’t got any written stuff to show you, but this is what my desk looks like at the moment: in comparison … More (creative?!???) MESS, or: a state of confusion and disorderliness

Nothing is left to tell

Vetanda led me to this beautiful presentation by Jeremy Irons of Ohio Impromptu Ohio Impromptu, directed by Charles Sturridge, with Jeremy Irons (2000) Synopsis Ohio Impromptu, written in 1980, opens with a figure clad in black with long white hair hiding his face and sitting on a white chair at a white table. There are two characters, the Reader and the Listener. … More Nothing is left to tell