On a Clear Day

In two days I will finally get to see Agnes Martin at Tate Modern in London. It is a show I have been looking forward to see all summer. You will, no doubt, get a report – here is just a little teaser … Agnes Martin: Untitled (Study for “The Egg”) 1960. Ink on paper © Estate of … More On a Clear Day

How creativity works

The way of an artist is an entirely different way. It is a way of surrender. He must surrender to his own mind — Agnes Martin As many artists, Agnes Martin underlined the necessity of having a strict schedule, she went to her studio at least three hours every morning, whether she felt like it or not, where … More How creativity works

A beautiful mind

How does one write beyond words? AGNES MARTIN: Untitled from the “On a Clear Day” portfolio (1973). Screenprint on Japanese rag paper. My interest is in experience that is wordless and silent, and in the fact that this experience can be expressed for me in art work which is also wordless and silent.  – Agnes Martin Agnes … More A beautiful mind

Theory has nothing to do with it –

In the early 1960s, Agnes Martin’s geometric compositions evolved into what would later be seen as her signature style: the square grid. Referring to these paintings, the critic Lucy Lippard described them as ‘legendary examples of an unrepetitive use of a repetitive medium’. More and more I excluded from my paintings all curved lines, until finally my … More Theory has nothing to do with it –

On art writing

Recently I have found writings on poetry to be much more relevant for visual art, than specialized visual art writing, such as reviews, catalogue texts or research papers. Writings on poetry, and especially texts on poetry written by poets, seem to grasp art more directly, even if the poet’s language are poetic -and by definition … More On art writing