Not necessarily because he is a favourite painter of mine, but because his meditations on making art is just wonderful And obviously; he also is a great painter The Bench Painting series (1989–2009), was originally conceived as an homage to the Italian Renaissance philosopher Giordano Bruno. Burnt at the stake for heresy in Rome in 1600, Bruno…
Category: Aesthetics
“I never really separated painting and literature.”
Claire Daigle writes: In 1959 Twombly executed some of the most spare works of his career, among them the 24 drawings that comprise Poems to the Sea, done on the coast of Italy. What order of poems, punctuated with numerals and question marks, are these? The sea is reduced to horizon line and word, scribblings and…
Trespassing time and place
Cy Twombly (American, 1928-2011) is a great painter, but sometimes it seems even more accurate to describe him as a great writer. He writes of many things: his love of other great painting and writing (and sculpture and architecture), his love of nature and history and of the places where all these things intersect most…
To require perfection is to invite paralysis
“What I want to paint are the things that have been seen so often that people no lenger notice them …” —Eliot Hodgkin morning walk in the woods “Insight comes, more often than not, from looking at what’s been on the table all along, in front of everybody, rather than from discovering something new.”…
on making bad art
If you have ever read a better book on making art than Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland … I would love to know! Art & Fear is my absolute favorite in the genre of creativity, I read it all the time, and it…
Have no fear!
Have no fear of perfection – you’ll never reach it. ― Salvador Dalí In a recent post, the Australian urban sketcher Liz Steel, presents her motivation for keeping a daily sketchbook in a very simple and elegant way, she says: My main reason for sketching regularly is to keep a visual journal of my life (…
Art and Fear
Making art can feel dangerous and revealing. Making art is dangerous and revealing. Making art precipitates self-doubt, stirring deep waters that lay between what you know you should be, and what you fear you might be. I guess I mentioned this before, but I’ll say it again: Art and Fear: Observations on the Perils (and Rewards)…
Regarding Beauty
Beauty has been a recurring theme in these writings of mine – it’s a concept constantly slipping away from any final definition. Andrew Wyeth, “Frostbitten” (1962), watercolor on paper (Private Collection. © Andrew Wyeth) In his book Why Beauty is Key to Everything Alan Moore writes: I have always been fascinated by beautiful things: architecture, furniture, books. Beautiful…
Finally some good news:
I’d like to think I can represent all those artists who heroically have kept going and are successful, but are not recognised or acclaimed. —Phyllida Barlow Can it be true, as some say: Old women are replacing young men in the art world We can at least hope! After having been overlooked for decades, the…
Allow the self to be distracted — (Ars Poetica XVI)
— wasting time is the most personal, most private, most intimate form of conversation with oneself, as well as with another. Madness, Rack, and Honey: Collected Lectures by Mary Ruefle * Susan Hiller: Dream Mapping (1973/74) Dream Mapping, 1973 was an art event provocatively poised between an experiment (social or scientific) and a performance without an…
